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Buchbeschreibung PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000. Bestandsnummer des Verkäufers WI-9783901644665
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Buchbeschreibung Soft Cover. Zustand: new. Bestandsnummer des Verkäufers 9783901644665
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Buchbeschreibung Paperback. Zustand: Brand New. 272 pages. German language. 8.25x7.00x1.25 inches. In Stock. Bestandsnummer des Verkäufers __3901644660
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Buchbeschreibung Zustand: New. Num Pages: 272 pages. BIC Classification: APFA. Category: (P) Professional & Vocational. Dimension: 200 x 170 x 15. Weight in Grams: 666. . 2016. Paperback. . . . . Bestandsnummer des Verkäufers V9783901644665
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Buchbeschreibung Zustand: New. Num Pages: 272 pages. BIC Classification: APFA. Category: (P) Professional & Vocational. Dimension: 200 x 170 x 15. Weight in Grams: 666. . 2016. Paperback. . . . . Books ship from the US and Ireland. Bestandsnummer des Verkäufers V9783901644665
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Buchbeschreibung PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000. Bestandsnummer des Verkäufers WI-9783901644665
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Buchbeschreibung Zustand: New. Book is in NEW condition. Bestandsnummer des Verkäufers 3901644660-2-1
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Buchbeschreibung Paperback. Zustand: new. Paperback. ?Films, in their generic, stylistic, and rhetorical variety, are modes of experience that provide a sense for the unexpected dynamics of urban life and historical reality. This understanding of cinema, as loving as it is theoretical, inspired the writings on film which form a central part of the wide-ranging work of Austrian historian Siegfried Mattl. From the political imaginary of well-known "historical films" by Stanley Kubrick, Ridley Scott, John Woo, and Todd Haynes, to inter-war comedies and post-war educational films highlighting the changing socio-economic textures of Vienna, and on to amateur films that offer surprising views of how Austrians adapted themselves to Nazism or consumer culture, Mattl?s investigations are rich in historical context and re-evaluated material. Written with humor and a critical view of power relations, his essays and studies some published for the first time also enter into dialogues with Siegfried Kracauer's and Jacques Ranciere's concepts of cinema's historicity. Exploring imagescapes of Red Vienna, of Haneke's white, or of Dylan's blues, Mattl invites us to look back at, and look out for, the ephemera that make up history. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. Bestandsnummer des Verkäufers 9783901644665
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Buchbeschreibung Paperback. Zustand: new. Paperback. ?Films, in their generic, stylistic, and rhetorical variety, are modes of experience that provide a sense for the unexpected dynamics of urban life and historical reality. This understanding of cinema, as loving as it is theoretical, inspired the writings on film which form a central part of the wide-ranging work of Austrian historian Siegfried Mattl. From the political imaginary of well-known "historical films" by Stanley Kubrick, Ridley Scott, John Woo, and Todd Haynes, to inter-war comedies and post-war educational films highlighting the changing socio-economic textures of Vienna, and on to amateur films that offer surprising views of how Austrians adapted themselves to Nazism or consumer culture, Mattl?s investigations are rich in historical context and re-evaluated material. Written with humor and a critical view of power relations, his essays and studies some published for the first time also enter into dialogues with Siegfried Kracauer's and Jacques Ranciere's concepts of cinema's historicity. Exploring imagescapes of Red Vienna, of Haneke's white, or of Dylan's blues, Mattl invites us to look back at, and look out for, the ephemera that make up history. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. Bestandsnummer des Verkäufers 9783901644665
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